Shallow Grave
This one was difficult for me. Let
me say up front that I don’t usually choose to watch anything quite this dark,
and that coloured my reactions. The first viewing was punctuated by expletives as
I dealt with the horror of it, even though in fact we see very little of the
actual horror on screen.
So: the film first.
The opening foreshadows a lot of
what’s to come. Three friends - clearly very close, very tightly bonded. But
actually, you realise they aren’t very nice people. They take sadistic pleasure
in their treatment of potential flatmates. It’s very funny, but somehow
discomforting. David, the accountant is probably the least unpleasant of them -
and even he’s got a mean streak.
As the story progresses, their
already limited decency collapses, beginning with Alex (Ewan McGregor) who is
the most amoral of the three. He drives the behaviour at the beginning - and
then fails to cope when, having unleashed the darker side of his friends’ natures,
he can’t control it. Notably, he ‘wins’ at the end. If you consider losing your
friends and gaining money a ‘win’.
One of the questions I was left
with was when exactly this was meant to be set. Many of the props - dial
phones, accountants ledgers - seem to hint at it being intended as a period
piece. On the other hand, the car registrations aren’t that far off for 1994
when this was filmed. It gives the thing a faintly surreal aspect, which is
oddly comforting: not a True story, after all.
Now: Chris.
The direction and camera angles
are worked to emphasise his size in this film. He begins as the geeky giant,
and as the story darkens his height and strength serve to make him more
alarming. Chris seems to have been carry a little more muscle in this film than
Jude or the current Doctor Who. This is noticeable not so much in the
obligatory dorsal shot (what is it with that?) as in the later parts of the
story where he’s dressed casually (nice vest) and especially in the crisp white
shirts of the Chartered Accountant. I couldn’t help thinking ‘Clark Kent’ - in
fact so much that I wondered what he’d look like in the Superman kit. And much
sexier than the bare flesh.
The accent is pretty good. Much
better than the west country from Jude, which like many attempts at west
country, gets lost somewhere in the
Chris’s depiction of a mostly
decent and rather up-tight accountant descending into homicidal maniac is just
nicely believable. Somewhere you stop feeling sorry for him being bullied by
Ewan McGregor and realise he’s actually driving it himself. He makes a slightly
disturbing corpse.
Overall, if you like darker,
creepy films, I’d certainly suggest watching this one. But if you’re after
light entertainment, you might want to pass on it.
Now the screencaps: 20 of them,
and all Chris. Click on the thumbnails for full size.
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Quizzing the flatmates |
Have you ever killed a man? |
Boring? Never |
Can an accountant look sinister? |
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Why do I think ' |
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Nightmares |
"To Love and Happiness" |
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Can you hear burglars? |
At the dinnertable |
He loves his pasta! |
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More bodies |
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Who, me Officer? |
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Manic giggles |
Ooohhh… those shoulders! |
So what does this add? Character development in the degree of clench? |
Back to that dinner party -just before it all went pear shaped. |
Shallow Grave Screensaver made with these images
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